Spider-Man put up a good fight, but the Autobots came out on top.
After an unusually close box office battle, Paramount’s “” pulled ahead of “ ,” debuting in first place to $60.5 million from 3,678 theaters. Sony’s animated “Spider-Verse sequel still managed a mighty second weekend, landing in second place with $55.4 million from 4,332 theaters.
The start of “Rise of the Beasts,” which is the seventh installment in the “Transformers” franchise,” is notably better than than the prior two entries, 2018’s “Bumblebee” ($21.6 million) and 2017’s “The Last Knight” ($44.68 million). It’s an encouraging sign that Paramount’s action series isn’t yet running on fumes. That’s been a concern because the more recent chapters brought back diminishing returns. Reviews for “Rise of the Beasts” were mixed, but audiences embraced the film with an “A-” CinemaScore.
“The jump above the previous film’s opening is excellent,” says David A. Gross, who runs the movie consulting firm Franchise Entertainment Research. “Episodes six and seven are where action series either find new creative energy and extend their run (‘Mission: Impossible,’ ‘Fast & Furious,’ ‘Planet of the Apes’) or start winding down (‘Terminator,’ ‘Predator’). Only James Bond lives forever.”
But the tentpole, directed by Steven Caple Jr. and starring Anthony Ramos and Dominique Fishback, cost $200 million. It’ll need to resonate at the international box office to justify that hefty price tag.
There’s still plenty to celebrate for “Spider-Verse,” which is already a huge theatrical winner with $226 million after 10 days in theaters. By comparison, its 2018 predecessor “Into the Spider-Verse” ended its box office run with $190 million in North America and $384 million globally.
Elsewhere at the box office, three holdovers from Disney rounded out the top of North American charts. In third place, “The Little Mermaid” added $22.8 million from 4,320 theaters, declining 46% from the weekend prior. After three weeks of release, the live-action remake is swimming along with $228 million at the domestic box office. The big-budget film has been struggling at the international box office, where ticket sales have been floundering with $185 million. (Yes, that’s considered “floundering” for a movie that cost $250 million.) At one point, there was hope “The Little Mermaid” would near the $1 billion mark but after a disappointing turnout overseas, it’ll be lucky to hit $500 million.
“Guardians of the Galaxy Vol. 3” took the No. 4 spot with $7 million from 3,175 venues in its sixth weekend on the big screen. So far, the comic book adventure has grossed $335 million in North America and $805 million worldwide, which is above the original 2014 “Guardians of the Galaxy” ($333 million domestically, $773 million worldwide) but below the 2017 sequel ($389 million domestically, $863 million worldwide).
In fifth place, “The Boogeyman” added $6.9 million from 3,205 theaters, marking a 46% decline from its debut. The movie, adapted from Stephen King’s short story of the same name, has generated $24.7 million domestically and $39.6 million globally to date.
More to come…